03.–04.02.2024 Symposium: Musicians’ Perspectives on Improvisation
Beiträge:
Ulrike Brand: Chance and Unpredictability in Improvisation | John Butcher: There’s a whole world out there. | Marina Cyrino: flutist-body-flute: a relationship guided by vulnerability to the other as a living presence | Corinna Eikmeier: The Meaning of Improvisation | Silvana Figueroa-Dreher: A Sociological Model of Improvisation Processes based on Musicians’ Explanations | Tim Fletcher: Residuals – Exploring the Derek Bailey Archive | Birgitta Flick: Pulsations: Exploring the Interaction of Improvisation and Notation with the Means of Artistic Research | Jean-Charles François: The Empty-Full or Full-Empty of Artistic Research on Musical Improvisation | Zeynep Ayşe Hatipoğlu: Collaborative Improvisation as a Play: Practice-Based Research, from Istanbul in 2021 to the Present and Beyond | Olaf Hochherz: # Instruments/Tools | Carl Ludwig Hübsch: Do nothing? | Diego Kohn: Beyond the Normative: Non-European Improvising Musicians in European Cities | Matthias Koole: Improvisation and its Materiality | Una MacGlone: Diversifying Improvisation | Luigi Marino: Focus on Relationships: There Is More than what Meets the Eye. | Mattin & David Grundy: Freedom and Improvisation Today | mcddavid: The Art of Subjective Camera in Private Fairytales | Henry McPherson: Where in the World is the Improviser?: Transdisciplinarity, Ecology, and New Ways of Dreaming in Contemporary Free Improvisation Practice | Dag Magnus Narvesen: Flowing Decisions | Tam Thi Pham: Tradition and Improvisation | Federico Reuben & Franziska Schroeder: Improvised Rave | Simon Rose: Introducing: Relational Improvisation. Music, Dance and Contemporary Art | Wolfgang Schliemann: Invitation to Controversy: In what Way Is Improvisation Political and which Political Aspects of Improvisation Are Relevant today? | Richard Scott: The Songs of Others, Improvisation and Identity | Roman Stolyar: Bailey, Stockhausen, Braxton. Three Structural Approaches to Free Improvisation | Sabine Vogel: Trees, Traces and Roots | Altin Volaj: Cultural Crossroads: Free Improvisation’s Dialogue with Folk Music Heritage | Mark Wastell: DEREK BAILEY: An Afternoon at Sound 323 | Georg Wissel: Ephemeral Kinetic Sculpture of Thoughts | Ebru Yazıcı: Sensing Sound: The Art of Improvisation
