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03.–04.02.2024 Symposium: Musicians’ Perspectives on Improvisation

Contributions:
Ulrike Brand: Chance and Unpredictability in Improvisation | John Butcher: There’s a whole world out there. | Marina Cyrino: flutist-body-flute: a relationship guided by vulnerability to the other as a living presence | Corinna Eikmeier: The Meaning of Improvisation | Silvana Figueroa-Dreher: A Sociological Model of Improvisation Processes based on Musicians’ Explanations | Tim Fletcher: Residuals – Exploring the Derek Bailey Archive | Birgitta Flick: Pulsations: Exploring the Interaction of Improvisation and Notation with the Means of Artistic Research | Jean-Charles François: The Empty-Full or Full-Empty of Artistic Research on Musical Improvisation | Zeynep Ayşe Hatipoğlu: Collaborative Improvisation as a Play: Practice-Based Research, from Istanbul in 2021 to the Present and Beyond | Olaf Hochherz: # Instruments/Tools | Carl Ludwig Hübsch: Do nothing? | Diego Kohn: Beyond the Normative: Non-European Improvising Musicians in European Cities | Matthias Koole: Improvisation and its Materiality | Una MacGlone: Diversifying Improvisation | Luigi Marino: Focus on Relationships: There Is More than what Meets the Eye. | Mattin & David Grundy: Freedom and Improvisation Today | mcddavid: The Art of Subjective Camera in Private Fairytales | Henry McPherson: Where in the World is the Improviser?: Transdisciplinarity, Ecology, and New Ways of Dreaming in Contemporary Free Improvisation Practice | Dag Magnus Narvesen: Flowing Decisions | Tam Thi Pham: Tradition and Improvisation | Federico Reuben & Franziska Schroeder: Improvised Rave | Simon Rose: Introducing: Relational Improvisation. Music, Dance and Contemporary Art | Wolfgang Schliemann: Invitation to Controversy: In what Way Is Improvisation Political and which Political Aspects of Improvisation Are Relevant today? | Richard Scott: The Songs of Others, Improvisation and Identity | Roman Stolyar: Bailey, Stockhausen, Braxton. Three Structural Approaches to Free Improvisation | Sabine Vogel: Trees, Traces and Roots | Altin Volaj: Cultural Crossroads: Free Improvisation’s Dialogue with Folk Music Heritage | Mark Wastell: DEREK BAILEY: An Afternoon at Sound 323 | Georg Wissel: Ephemeral Kinetic Sculpture of Thoughts | Ebru Yazıcı: Sensing Sound: The Art of Improvisation

1 | Welcome: Mathias Maschat | Contributions by: Mark Wastell | Tim Fletcher | Roman Stolyar

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2 | Contributions by: Ebru Yazıcı, Silvana Figueroa-Dreher

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3 | Contribution John Butcher

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4 | Contributions by: Zeynep Ayşe Hatipoğlu (featuring Ufuk Elik), Federico Reuben, Franziska Schroeder

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5 | Contributions by: Luigi Marino, Marina Cyrino, Ulrike Brand

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6 | Contributions by: Una MacGlone, Carl Ludwig Hübsch, Richard Scott

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14.–15.08.2021
Symposium: Sinn und Präsenz in Improvisation

1 | Welcome: Mathias Maschat | Contributions by: Nicola L. Hein

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2 | Contributions by: Corinna Eikmeier, Nina Polaschegg, Thomas Gerwin

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3 | Contributions by: Christian Grüny, Jin Hyun Kim

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3 | Beiträge von: Christian Grüny, Jin Hyun Kim
4 | Contributions by: Andrew Wass, Jean Beers

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4 | Beträge von: Andrew Wass, Jean Beers
5 | Contributions by: Alex Nowitz | Christoph Baumann, Ursel Schlicht, Wolfgang Schliemann, Mattin

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5 | Beiträge von: Alex Nowitz | Christoph Baumann, Ursel Schlicht, Wolfgang Schliemann, Mattin
6 | Contributions by: Urban Mäder, Reinhard Gagel, Carl Bergström-Nielsen

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6 | Beiträge von: Urban Mäder, Reinhard Gagel, Carl Bergström-Nielsen
7 | Contributions by: Annemarie Michel, Doris Kösterke | Plenum

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exploratorium berlin

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10961 Berlin (Kreuzberg)

Marheinekeplatz (Bus 248, 20m)
U Gneisenaustraße (Bus 140, U7, 200m)
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Mi 14.00 – 18.00
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